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Collection

Essential Noir

Classic American film noir from the 1940s and 1950s.

The city after dark, a ceiling fan, a woman in a doorway who already knows how this ends. Film noir did not invent cynicism, but it gave it a camera and a cigarette. These pictures come out of wartime America and the decade that followed: insurance scams, private eyes who are not quite heroes, cops who are not quite clean. The lighting is cheap and perfect — venetian blinds, wet streets, faces half in shadow. Watch them in order and you can feel the form tightening: from Wilder's poison-pen Los Angeles to Welles's border-town nightmare, where the camera itself starts to look guilty.

The Third Man

1949 Thriller, Mystery

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

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